Diesel (film)

Diesel is a 1942 German biographical film directed by Gerhard Lamprecht and starring Willy Birgel, Hilde Weissner and Paul Wegener. It portrays the life of Rudolf Diesel the German inventor of the diesel engine. It was one of a series of prestigious biopics made in Nazi Germany portraying genius inventors or artists struggling against the societies in which they live. The film was based on a biography by Eugen Diesel, one of Diesel's children. The film's sets were designed by art director Erich Kettelhut.

Cast

Diesel

Diesel may refer to:

Technology

Music

Other uses

Names

Diesel (musician)

Mark Denis Lizotte, (born 31 May 1966,Fall River, Massachusetts, United States) is an American-born Australian musician, who has released material as leader of Johnny Diesel & the Injectors, under his birth name, or by the pseudonym Diesel. Two of his albums reached No. 1 on the Australian Recording Industry Association (ARIA) Albums Charts, Hepfidelity in 1992 and The Lobbyist in 1993.

Since 1987, Diesel has played on several albums by well-known Australian rock singer and brother-in-law, Jimmy Barnes. Although better known as a singer-songwriter and guitarist, Diesel is also competent on bass guitar, drums, percussion and keyboards; and has also produced an album by Richard Clapton and one by Vika and Linda Bull. He has won five ARIA Music Awards with three for 'Best Male Artist' in 1993, 1994 and 1995.

Early years

Diesel was born in 1966 in Fall River, Massachusetts, United States, and emigrated to Australia with his family, in November 1971. His father, Henry Bertram Lizotte (born 19 June 1929), and his mother, Theresa Rita (née Morin, born 18 January 1930) were parents of Jeannine, Bruce, Michael, Laura, Donna, Brian and Mark. They settled in Perth, Western Australia, where he later had a job pouring petrol—an experience that provided inspiration for his music. Henry was a professional saxophonist performing in the US and Australia, Diesel and his siblings were surrounded by music from an early age. While his siblings became teachers, Diesel eventually settled on electric guitar as his main instrument. He later recalled a time in Year 8 (c. 1979) at Scarborough Senior High School when he decided on a musical career: "I was trying to get my head around algebra [...] and suddenly I thought: 'Hang on, I don't have to do this. I can play music as a job!'".

Diesel (dog)

Diesel was a seven-year-old Belgian Malinois RAID assault dog employed by the French police.

Working career

Diesel had worked for the Raid unit for five of his seven years, and was the first Raid dog killed on duty. He was due to retire the next spring. On 18 November 2015, Diesel was killed in a shootout with suspected terrorists in the Saint-Denis area of Paris, while searching for suspects involved in the November 2015 Paris attacks. During the raid, which was in response to the November 2015 Paris attacks, the dog had been sent in to clear rooms following a cessation of gunfire from the suspects. The first room was empty, but after he entered a second room, the gunfire started once more. He died of multiple gunshot wounds. Following the raid, some media reports claimed that Diesel had been killed by a female suicide bomber. This was later shown to have been incorrect as there was no female bomber. Diesel, "was saluted for his bravery by the Paris police chiefs who told Le Parisien[...] that dog almost certainly saved his handler’s life during the raid."

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Television film

A television film (also known as a TV film; television movie; TV movie; telefilm; telemovie; made-for-television film; direct-to-TV film; movie of the week (MOTW or MOW); feature-length drama; single drama and original movie) is a feature-length motion picture that is produced for, and originally distributed by or to, a television network, in contrast to theatrical films, which are made explicitly for initial showing in movie theaters.

Origins and history

Though not exactly labelled as such, there were early precedents for "television movies", such as Talk Faster, Mister, which aired on WABD (now WNYW) in New York City on December 18, 1944, and was produced by RKO Pictures, or the 1957 The Pied Piper of Hamelin, based on the poem by Robert Browning, and starring Van Johnson, one of the first filmed "family musicals" made directly for television. That film was made in Technicolor, a first for television, which ordinarily used color processes originated by specific networks (most "family musicals" of the time, such as Peter Pan, were not filmed but broadcast live and preserved on kinescope, a recording of a television program made by filming the picture from a video monitor – and the only method of recording a television program until the invention of videotape).